Chance to be a Billy Ballet Girl

Working Title and Old Vic Productions are looking for Girls to audition for the roles of ballet girls in their West End production.

All girls must be aged 9-13, minimum grade 4 tap and ballet. Children must live within the M25 or a 60 minute easy commute from London. Max height 5FT 4.

If you are interested in auditioning then please go to: Dance Works 16, Balderton Street, London W1K 6TN.

Nearest tube station: Bond Street

SUNDAY 14th SEPTEMBER 2008

They are only available to see the first 240 girls

Please arrive at 9am to register – you will then be given a time for your group. Please expect queues and be prepared to stay all day if required. Come ready to tap first then some girls will be asked to stay on for ballet. Please bring a photo and all dance shoes – tap, ballet, jazz and pointe.

For more info please call:
Jessica Ronane, Children’s Casting Director on 0207 534 9750

Book Tickets for Billy Elliot

Billy Elliot The Musical Reviews

“…Billy Elliot strikes me as the greatest British musical I have ever seen, and I have not forgotten Lionel Bart’s Oliver! or Andrew Lloyd Webber’s  Phantom of the Opera. There is a rawness, a warm humour and a sheer humanity here that is worlds removed from the soulless slickness of most musicals. Yes,
there are rough edges that would give Cameron Mackintosh a fit of the vapours, yes, there are occasional scenes that are not as powerfully played as those in the film. But there is so much more that is big and bold, imaginative and great-hearted. The emotion always seems real and spontaneous, rather than
cunningly manipulated to pull at the heartstrings… The whole cast is blessed with a freshness and sincerity I have rarely seen equalled, and one leaves this triumphant production in a mist of tears and joy.” The Daily Telegraph

“Turning small-scale movies into big musicals is a treacherous business. It failed with The Full Monty, which lost all of its gritty truth when musicalised. But Billy Elliot succeeds brilliantly because Elton John’s music and, especially, Peter Darling’s choreography enhance Lee Hall’s cinematic concept. The musical, even more than the film, counterpoints Billy’s personal triumph with the community’s decline… Stephen Daldry’s production is a model of fluidity and intelligence. He constantly reminds us that the special power of the musical is that it can express a lyrical idea through physical action…” The Guardian

“…Together, Stephen Daldry and Lee Hall have concocted a piece that’s tougher, bolder and, as my tear-ducts can attest, more moving than its admittedly admirable celluloid precursor. With its rags-to-riches, or rather poverty-to-piroutte, story, the piece invites sentimentality. But that’s almost entirely missing in the Geordie pit village where young Billy discovers he has a gift for dance… Moreover, the action exactly coincides with the 1980s miners’ strike — and this comes across far more emphatically than in the film…” The Times

Billy Elliot The Musical, based upon Stephen Daldry’s classic movie, is just irresistible. It catches you
– or at least me – in its fervent grasp, and pins you down with all the artfulness of a vintage seducer, right to the misguided, sentimental finale… This is an evening which throws a fierce political punch as well as an emotional one. No modern musical has struck such rebellious, old Labour, workingclass conscious notes… Stephen Daldry, always at his best on the grand scale, deftly marshals a throbbing mixture of angry miners, threatening policemen and little girls in tutus – all singing. Ian MacNeil’s versatile designs set the changing
scenes…” The London Evening Standard

“BILLY’S A WHIZ! He’ll lift your soul, make you cry and send you home high with hope. Quentin Letts dances with delight at the first night of the £5million musical adaptation of Billy Elliot. Only its heavy-handed politics take the shine off the show. DREAMY dancing, full-rip staging, stonking songs and terrible politics. But for its dismally trite, Socialist Worker angle on the miners’ strike, Billy Elliot the Musical would stand tall this morning as a production of the most searing quality. Even with that significant flaw this is
a glorious show. It’s a weepie, funny spectacle married to a super score by Sir Elton John. The beautiful blond boy playing the lead last night, Liam Mower, will surely become the biggest child star since Mark Lester played Oliver Twist…” The Daily Mail

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